Richard Moross


The Story of MOO (part 1)
January 16, 2012, 11:16 am
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The Story of MOO (part 2)
January 16, 2012, 11:15 am
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The Story of MOO (part 3)
January 16, 2012, 11:14 am
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Wired 100 (2011)
May 26, 2011, 3:41 pm
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Wired 100 (number 33)



FT Interview
April 7, 2011, 9:21 am
Filed under: Interview | Tags: , ,

Moo.com, a Shoreditch-based start-up that prints customised business cards and other stationery using photos from the internet, was globally focused from day one: 70 per cent of its revenues are non-UK.

“The scene is booming,” says Richard Moross, its founder. “These are real businesses with real revenues and profits, raising huge amounts of money. E-commerce is a real thing – it wasn’t 10 years ago in the boom and bust.”

Moo, relaunched in 2006 after an initial version flopped, has doubled revenues every year and has been profitable since 2009. Mr Moross expects to expand its staff from 65 to 100 and launch several products this year. “London has all the raw materials to build very strong, global businesses,” he says. “It’s strong in the creative field, in banking, in design – in lots of core disciplines.”

The expanded research and development tax credit will help Moo, and Mr Moross welcomes the reduction in corporation tax and increase in entrepreneurs’ relief. He believes this should be widened to early employees of start-ups as well as founders, and would like to see all taxable gains from selling a business funnelled back into EIS investments.

Read the full interview on ft.com



Me in the FT
April 7, 2011, 9:18 am
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FT



Me in Wired UK
April 7, 2011, 9:16 am
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Epic Fail! - Me in Wired Magazine UK



Video Interivew – All In The Details
July 15, 2010, 9:49 am
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Video Interview – On Old British Stationers
July 15, 2010, 9:46 am
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Video Interview – Why Business Cards Remain Relevant
July 15, 2010, 9:40 am
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Awesome Foundation May Fellowship
June 21, 2010, 10:01 am
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As a trustee of the London chapter of the Awesome Foundation I chaired the inaugural meeting and oversaw our very first grant in London. The winner was Oscar Lhermite, a London-based French artist and designer, who’s Big Dipper Project wowed the crowds with its style and audacity. You can read more on the Awesome Foundation blog and can see Oscar’s crazy presentation here



Ernst & Young Entrepreneur Of The Year
June 21, 2010, 9:54 am
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I was privileged to be amongst the winners of the Ernst & Young Entrepreneur Of The Year awards last week. Nick Jenkins, of Moonpig was the overall winner, and below is the full list of my most esteemed company:

London

  • Tony Goodwin, Chairman & CEO, Antal International Limited , based in London
  • Glenn Elliott, Managing Director, Asperity Employee Benefits Limited, based in London
  • Simon Wajcenberg, CEO, Clash Media Advertising Limited, based in London
  • Ben Langdon, CEO, Digital Marketing Group plc, based in London
  • Sophi Tranchell, Managing Director, Divine Chocolate Limited, based in London
  • Emma Bridgewater, Founder, Emma Bridgewater Limited, based in London
  • Duncan Goose, Managing Director, Global Ethics Limited, based in London
  • Mike Lawrie, Chief Executive Officer, Misys plc, based in London
  • Richard Moross, CEO and Founder, Moo Print Limited, based in London
  • Nick Jenkins, Chairman, Moonpig.com Limited, based in London
  • Ayman Asfari, Group Chief Executive, Petrofac Limited, based in London
  • Duncan Grierson, Founder & CEO, Sterecycle Limited , based in London
  • Michael Tobin, CEO, Telecity Group plc, based in London
  • Christian Nellemann, Joint Founder and Chief Executive Officer, XLN Telecom Holdings Limited, based in London

South

  • Graham Baker, Chairman, Butcher’s Pet Care Limited , based in Crick, Northamptonshire
  • James Benamor, Managing Director, Richmond Group Limited, based in Bournemouth
  • Julian Dunkerton, CEO, SuperGroup PLC, based in Cheltenham
  • Debbie Scott, Chief Executive, Tomorrow’s People Trust Limited, based in Hastings, East Sussex
  • Richard Green, Chief Executive Officer, Ubisense Trading Limited, based in Cambridge


Photoshoot for Fortune Magazine
June 21, 2010, 9:46 am
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Fortune Magazine Photo Shoot



MOO In The Financial Times
April 18, 2010, 6:08 pm
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A pivotal moment in the life of a start-up

By Jonathan Moules (link to full article on ft.com)

When Alicia Navarro set up her company four years ago, she believed she had a great business plan.

Navarro had noted that people often have better experiences when they make group decisions about key activities, such as planning a holiday or buying a sofa. So she set up a social decision-making website.

But the business, Skimlinks, was not quite right. The technology was being built by a team of developers in Romania, while Navarro was based in Sydney, Australia – trying to nurture the start-up at the same time as holding down a full-time job.

Rather than give in and try a completely new business, however, Navarro went about altering some of the elements of her original idea. This process is described in the US as “pivoting”, derived from the way basketball players move around the court.

Mark Suster, general partner at Los Angeles-based venture capital firm GRP Partners, says that the ability to pivot is one of the key characteristics of a successful entrepreneur.

“Every entrepreneur starts with an idea that they believe makes sense,” he says. “But then your customers start using your products, your competitors come out with new offerings and your partners decide to launch a similar product rather than working with you. You’re forced to pivot on a regular basis.”

He notes that almost all software start-ups in Silicon Valley now build their businesses on this basis. Google and PayPal, two of the Valley’s biggest recent success stories, both pivoted, Suster notes.

“Minimum viable product is the mantra of the Valley. Rather than launching a bloated product that the market does not want, you look and learn.”

Often, he says, the market does not know what it wants. This makes it all the more important to get something out there, then refine it using feedback from customers and focus groups.

Navarro made multiple pivots with her business. First, she relocated from Sydney to London’s Shoreditch district to be close to the internet business cluster, which is locally nicknamed the Silicon Roundabout.

She then marketed her business as a white label service to online publishers who wanted the service on their website.

Navarro won customers, got friends to invest and secured a bank loan, allowing her to employ four people. But it was still a fairly hand-to-mouth existence.

“Every month, it was a nightmare working out how I would do payroll, but I always found a way, and kept it going,” she says.

But the global recession hit, and Navarro found herself facing the prospect of bankruptcy. It was then that she made what she has since realised was her smartest pivot to date.

“As I was pitching my company to potential clients and investors, it struck me that what everyone was interested in wasn’t my fabulous website, but this techie back-end solution.”

She made her pivot at 10pm one Friday night, when she cold-called a large electronics forum website and offered them her technology. They said yes, and Navarro promised to get something to them within a fortnight. It meant changing a model that Navarro and her team had worked on for two years, but they were all won over.

“Over the next two weeks, I went out and sold the concept to some huge UK content networks and my team converted what we had built into something other publishers could use,” Navarro explains.

A month after relaunching the business, in December 2008, Navarro had an agreement with an equity investor. A year later, the business was breaking even and serving over 500,000 websites worldwide, working with 8,000 retailers as well as winning dozens of awards for innovation.

The business is, in many ways, entirely different from the original plan, but Navarro believes pivoting made the difference between success and failure.

“That late-night decision to pivot is what saved us,” she says.

Another successful pivoter is Richard Moross, founder of Moo.com. The business started life in 2004 as a social networking website, with the twist that users could send their details to one another on real business cards.

“It was basically Facebook with cards,” Moross says. However, Moo was not taking off in the way Moross had originally intended. “People loved the little cards, but they didn’t want to join another social network.”

The first pivot – although Moross describes it as “more of a pirouette” – was to drop the social networking site entirely.

Instead, Moo started working with established social networks, such as Flickr, the picture website, giving users the ability to put downloaded images onto paper business cards.

Moross’s other pivot was to extend Moo’s portfolio of cards beyond its original mini-cards to more conventional shapes.

Not all these ideas worked, such as folded notecards, necessitating another pivot back to the core business proposition.

Pivoting is all very well, but a good entrepreneur focuses on what he or she is good at. In Moo’s case, Moross notes that he could have gone for the consumer market by selling lots of different greetings cards, but pulled back from this because it would have required a very different business model.

“I guess we have learnt a lot about what works and what doesn’t work,” Moross says. “When I started out, I was very stubborn. I had something I wanted to do and I wanted to do it my way. I am still stubborn on some things but I am also very flexible on what customers want.”



CNN Radio Interview (audio)
April 14, 2010, 1:40 pm
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Radio interview with Winston Edmondson at CNN Radio Dallas Fort Worth

Listen here

http://projectinnovation.net/showarchives/RichardMoross_Moo.mp3



Batteries not included: Why business cards still matter in the 21st century
April 14, 2010, 9:03 am
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Article written by me for Xerox’s Digital Printing Hotspot Blog.

Having just returned from the ‘South By South West Interactive’ (SXSWi) conference in Austin, Texas, I was struck by the volume of press that followed on the topic of digital business cards and the threat of a world without print. “The business card is dead!”, their articles exclaimed. But, whilst the journalists seemed excited by the idea of this digital future, the reality amongst conference attendees couldn’t have been more different.

SXSWi is one of the largest technology conferences on the planet, bringing 10,000 internet geeks together from around the world to hang out, eat great BBQ and talk tech. It’s a mecca for technology professionals, and as a result you’d expect it to be all about rejecting analogue and embracing digital. However, in this, my 4th year at the conference, I’ve never seen so many amazing business cards and amongst them, not one digital business card exchange: zero, zilch, zip.

It seems the rumors of their demise have been greatly exaggerated: even amongst the world’s earliest of early adopters, business cards are very much alive, and kicking!

As a forward-thinking online print company moo.com has spent a lot of time rethinking and reinventing the humble, 300 year old, business card. We’ve driven innovation in print technology and design and have set new standards in product quality and community marketing. Whilst many push the limits of print to drive down costs, increase automation and sell ever-increasing quantities at low, low prices, we see things a little differently.

For print to survive this digital revolution we have to stop competing with ones and zeros, stop trying to match the cost and distribution dynamics of digital and get back to our roots: bold, beautiful, high quality print: premium and proud. It seems to be working for MOO: almost 50% of the cards I was given at SXSWi were printed by us. This audience of technophiles represent the future, the cutting edge of society. So what can we, the print industry, learn from them about how the world is changing and seek out new and lucrative opportunities?

Well first, we have to admit that the world is changing. We’re all living increasingly virtual lives, spending almost all of our days in front of our computer screens: talking on Skype, listening to music on Last.fm and sharing links with friends on Twitter. Our social and professional lives are now playing out over the web, where our profiles are rich and dynamic. We’ve created these vibrant virtual identities on the internet, but what about the real world? With this virtual migration you would think that the opportunity for print would be diminishing, I couldn’t disagree more.

With all this online interaction, when the opportunity arises to meet people in the real world: more than ever before we need to make an impression, and nothing impresses more than great print design. However, to keep favor, print needs to meet the needs of this new generation: digital has set a standard of dynamic, high quality, custom design with the likes of WordPress and MySpace. As leaders of the print industry we need to focus our efforts on creating exciting new, customized print products, that compliment our virtual lives and work in harmony with the web. The big opportunity for print is here, and it’s best friends with the web.

SXSWi is the perfect metaphor for the physical/virtual opportunity. Why do all these self-confessed geeks fly half-way round the world to meet up? Why don’t they just do the conference in Second Life or on Cisco’s amazing TelePresence technology? Why? Because despite incredible advances in technology we’re all still human beings. We like to meet people face to face, shake their hand and chat over a beer. In business, as in life, you only get one chance to make a first impression and the real world is still where it’s at.

A digital business card is just data, it lacks any personality; whereas a well-designed, physical business card speaks volumes about the owner: it’s design, color, paper, size, shape, fonts and other flourishes make everyone different from the last. Business cards make a lasting, memorable impression in a way that no digital product could ever match. In a tough economy, where small businesses need to stand out, and where every new business relationship matters, just like for the attendees of SXSWi, the world needs great print. Let’s give it to them.



Wired 100
April 9, 2010, 4:18 pm
Filed under: Uncategorized | Tags: , ,

Wired 100 (no. 89)

89. Richard Moross
Founder & CEO, moo.com
Moross rebooted the business card and proved that e-commerce (an arcane model whereby firms sell items for more than they cost to make) is good business.



‘My Moment’ In The Daily Telegraph
December 20, 2009, 12:15 pm
Filed under: Interview, Press

We asked 15 high-profile professionals about the times that mattered most in their lives, the times that provided them with singular moments – euphoric moments – that they would never forget . Here, Moo.com founder Richard Moross recalls when Mr Hankey told him he’d made it.

Interviews by Paul Kendall and Ruth Caven
Published: 12 Nov 2009

Moo.com founder Richard Moross: ‘My product sounded like some weird sex accessory’

For some businessmen the sound of success is the ringing of a cash register. For me it’s Mr Hankey, the Christmas Poo, exclaiming ‘Heigh-di-ho!’ in a high-pitched squeak. Anyone who’s familiar with the cartoon series South Park will know Mr Hankey. He’s something of a cult figure and his ‘Heigh-di-ho’ greeting is one of the most quoted lines among South Park fans.

Just before Moo.com launched on September 19 2006, someone on my team downloaded a recording of Mr Hankey and programmed it to go off every time we made a sale.

The site prints customised business cards, among other things, and when we went live, at around midday, we all sat in the office, eyeing each other nervously and wondering how long it would take for Mr Hankey to speak to us. Fortunately, we didn’t have to wait long. At the sound of the first ‘Heigh-di-ho!’ the room erupted. After that, the Mr Hankey recording went off pretty much every 60 seconds. It was like a dam collapsing, and a torrent of water rushing through. From that moment on, we were inundated with orders. Getting to that point, however, was not easy. When I set up the business, at the age of 25, I spent the first 18 months making pretty much every mistake in the book. For a start, the original name of the company was Pleasure Cards. At the time, the idea was to provide an alternative to business cards, for people to use in their social lives, and I thought: ‘What’s the opposite of business? Pleasure.’ But, unfortunately, in today’s world, the word ‘pleasure’ has been hijacked by the porn industry and my product sounded like some weird sex accessory. So that didn’t work.

In 2006, I completely transformed my business model. I changed the name to Moo.com: short, memorable, inoffensive.

As an entrepreneur you have to believe in your product, but I had no proof that it would work. It was only when we flicked the switch and Mr Hankey started squeaking that I knew we had a hit.

Read on the Telegraph’s website



Interview in Management Today
December 20, 2009, 10:46 am
Filed under: Interview, Press
The printing entrepreneur on trips to the US, hiring a new CFO, and Friday drinks on the terrace…

My week: Richard Moross of Moo.com

This morning I had a breakfast meeting with our chairman, Robin Klein, where I went through all the executive team planning for 2010. He was one of the first people I presented the business to in 2004 and he invested in the company later that year, before becoming chairman in 2006. We have a fantastic relationship, which is pretty lucky considering he’s our chairman!

I’ve also been busy preparing for the arrival of our new CFO, who’s joining us tomorrow. We appointed her last week and she’s coming in for a few days from tomorrow and then starting full-time from January. It’s actually a new role. We’ve been working with an interim FD for the last three years but now we’ve reached a certain size, there are complexities of running a profitable, high-growth manufacturing business. Now we’re manufacturing in the USA and in Europe, with customers all around the world, it’s important that we have someone with international financial experience who can help us manage our business in multiple locations.

Every day at about 5.30 I have a video call with our VP of operations, Brian, who’s based on the East Coast. At the end of every day (around lunch time for him) we catch up on how each business is doing. We will also talk about any issues in the US office or anything that they’ve made progress on. In addition, he’ll come over from the US once a month and I’ll probably go to the US once a month to see him. The business is more operational in the US; our marketing, product and technology teams are here in London.

Business in the States is booming: around 40% of our revenue comes from sales there. We don’t have all of our products available in the US, for various reasons, but we sell all our major ones there. We find the UK is more seasonal for us, in terms of the mix of the products we sell at Christmas for example. In terms of new customers that we’re acquiring, and growth, the US is really driving the business at the moment.

I spend a lot of time the other side of the Atlantic. We have partners who are based in the US – people who we do marketing with, or have other relationships with – so I like to check in to see what they think of the service. It’s also about the network – being a business that trades internationally we have ongoing relationships with people that we may form partnerships with in the future. I’ll also try to schedule meetings with journalists while I’m over there. There are also a lot of conferences in the US, including two or three major ones that I’ll go to every year – SXSW and Web 2.0 for instance. And I’ll sometimes go over for speaking opportunities too: for example. I’m speaking at the PMA10 (photo marketing association 2010) conference in California in February.

Also this week I have a catch-up meeting with Nick Jenkins, the chief exec of Moonpig, the greeting cards company. I met Nick for the first time when I was first starting up my business and Moonpig was still relatively small. Despite what some people may think, there’s not really any rivalry there. Nick’s company is consumer-focused whereas we’re b2b. So we sell to hundreds and thousands of small businesses, often in the creative industries – customers can be anyone from artists designers, illustrators, and photographers to tech start-ups.

Every Friday the entire UK team will sit down and have lunch together – and they do the same in the US five hours later. We’ll order some food in from a restaurant or a local market and will usually follow the food with a presentation or two on cool new things we’ve built or designed recently. Also, I’ll usually be there to give a brief overview of how the business is doing and give any feedback from the most recent board meeting. During the summer we tend to have events after work on a Friday as well. We have a big outside terrace, on the back of our office and we’ll invite people from outside the company to come and hang out with us and have a beer. We’re a pretty welcoming bunch. We’re very international too – there are probably about 10 or 12 nationalities in the company, which is pretty good for a 50-person business. One thing we’re very good at is hiring personalities. Everyone is quite unique and brings something different, which makes for a great blend of interesting people.

Richard Moross is founder and chief executive of Moo.com, a b2b printing company.



MOO on GigaOM
December 20, 2009, 10:40 am
Filed under: Interview, Press

“Moross said the company is now getting a much better return on its marketing dollars; it’s seeing triple-digit annual revenue growth and has become profitable. Moo, which raised $5 million from Atlas Ventures and Index Ventures three years ago, has also set up an operation in the U.S., which now accounts for about 40 percent of its revenues and includes 10 of its 50 employees.”

Read more here




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